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Author Topic:   If Genesis is Metaphorical, what's the metaphor?
arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 94 of 168 (189332)
02-28-2005 8:58 PM
Reply to: Message 93 by jar
02-28-2005 6:02 PM


Re: Uh?
Was Le Morte D'Arthur history?
i believe just about everyone i've ever heard talk about it, talks about as (a history of) fictionalized tradition, much like genesis.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 96 of 168 (189359)
02-28-2005 9:55 PM
Reply to: Message 95 by purpledawn
02-28-2005 9:14 PM


Re: Tradition
think i've heard of it. and i see your point.
i'll give it some thought and research.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 100 of 168 (189952)
03-04-2005 1:25 AM
Reply to: Message 98 by Stile
03-03-2005 2:44 PM


Re: The Historical Symphony
What I'm trying to show is that history, like music, is a broad term.
yes, but does it include works of fiction, designed to be works of fiction? is "jurassic park" history? "the da vinci code?" "catcher in the rye?"
art in general (and literature is art) has a very loose definition, sure. but the genres of it usually have qualify factors, even if the line is a little fuzzy. while i might group a kandinsky with a pollack, i probably wouldn't group either with a giger or a mucha. nor would i group any of those with ansel adams, or a sculpture by michaelangelo. or a song by the beatles.
you can usually tell what KIND of style something is. and genesis is written like fiction.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 106 of 168 (190091)
03-04-2005 4:53 PM
Reply to: Message 104 by Trae
03-04-2005 7:27 AM


Re: The Historical Symphony
Style is not the sole arbitrator of what constitutes history.
please define the other factors. because brian has already ruled out factuality. so what if your rhyme happens to be true, in some respect?
I’m not convinced as to why in this forum a literary definition of history should concern us. Can you explain why a literary definition should be used over one that historians use?
i'm not convinced they're different.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 107 of 168 (190092)
03-04-2005 4:56 PM
Reply to: Message 102 by Phat
03-04-2005 7:00 AM


Re: The Historical Symphony
So comes the question:
Does Life imitate Art or does Art imitate Life?
i see not imitation. i see several references to real places and events. but that's a different matter. and since genesis was written several hundred years after those events, i think your question has been answered.
Further, what part does God play? Surely we are more than Deists!
i am utterly convinced that god has nothing to do with the bible. however, i am unable to rule out satan's role, as the key test of MY faith has been understanding the bible.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 109 of 168 (190140)
03-05-2005 1:47 AM
Reply to: Message 108 by Trae
03-05-2005 1:16 AM


Re: The Historical Symphony
For example: American Pie and Vincent, by Don McLean.
ok. let's take american pie.
clearly a song, not trying to be history. now suppose it was really written about wolfgang amadeus mozart. not only would it be 400 years out of date, but it would be completely anachronistic. there wasn't even an america then, for it to be called american pie, and mozart was from the wrong country.
this is the problem we have with genesis. it's at least 600 years out of date, full of anachronisms, and generally records the events with improper national origins.
Let’s consider at a non-written example. Say we find a cave of prehistoric drawings. Even with highly stylistic art, certain things may be learned, types of animals know to them, perhaps dress, and other aspects of their lives.
yes, but if they were drawn by 18th century frenchmen playing a joke, what would we learn from that?
of course, we can learn something fro, anything. and just about anything can have historical value to it. but that does not make it a history. and being a history does not make it history.
Your premise in message 8 would seem to be that Genesis is not written in a historic style. I would suggest that chronological stories are a historic style (this happened, then this happened, and oh wait, before this happened, I just remembered this other thing did).
From message 47. Why must date keeping be a requirement for a history?
ask a high school history teacher ifyou really have to remember the dates for the test.
the historical style for the period and region generally has to do with the reigns of kings:
quote:
1Ki 14:25 And it came to pass in the fifth year of king Rehoboam, [that] Shishak king of Egypt came up against Jerusalem:
that's a date marker. it's not as good as a definitive calendar, and it sometimes takes a little while to figure when something occured, but that is how almost every culture in the region wrote their histories at the time.
is there any such verse in genesis?
order does not dictate history. every story has order.
I am not sure I follow, are you saying that in order for something to be historical it has to have no mistakes of a certain type or types?
no, but being filled with mistakes, and more importantly contradictions, is a good indication that historical accuracy was not the primary goal.
for instance, in the recent movie "king arthur" which was billed as striving for historical accuracy, it showed arthur and his knights riding into battle on horses. they could do this because they had stirrups. stirrups were not invented until several hundred years after the life of the real arthur, and so high ranking roman soldiers would ride to the battle on their horses, but get off to fight. this was actually THE deciding factor at the battle of hastings in 1066. had the anglo-saxons had knowledge of stirrups, they might not have lost to the norman invaders. (this is actually the origin of tolkien's rohirim, btw)
minor faux pas. but that's ok. they wanted to make a good movie, and nobody really cared. but my mother, with a masters in classic roman and greek literature, caught it, even if no one else did.
now compare that to le morte d'arthur and other "knight in shining armor" stories of arthur. how historical do you think those are? written after the fact, with absolutely no basis in the real history?
now, what about genesis, and camels?
Without a doubt there is useful history in Genesis, though perhaps not of the sort most would be looking for.
it tells us a lot about the society that collected it and wrote it, but very very little about the time it's set in.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 117 of 168 (190287)
03-06-2005 1:13 AM
Reply to: Message 116 by macaroniandcheese
03-06-2005 12:25 AM


Re: The Historical Symphony
even ask your photo history prof if dates will be on the test.
we so failed that exam. lol.
and yes, that's what my mom's degree is in. classics. and yes, she is a pain to have around. but that's not really related to having a masters in classics.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 118 of 168 (190288)
03-06-2005 1:16 AM
Reply to: Message 113 by macaroniandcheese
03-06-2005 12:09 AM


Re: Tradition
come to think of it. that's like saying shakespear didn't write everything we think he wrote just cause his name wasn't ever spelled the same. the language wasn't yet streamlined so it wouldn't be.
the differences in the bible go a little beyond spelling. you know that, you were in the class with me.
and besides, there is debate as to the authorship of shakespeare.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 123 of 168 (190300)
03-06-2005 3:27 AM
Reply to: Message 119 by Trae
03-06-2005 1:24 AM


Re: The Historical Symphony
yes, i'm well aware of what "american pie" is really about. here's another tidbit to ponder:
one the night kurt cobain shot himself, tori amos was playing a concert. when she was informed of the news, she played two songs: american pie by "don mcclean," and "smells like teen spirit" by nirvana.
she didn't change the words to american pie. but here it's clearly a tribute to a completely different musician. tell me, is it still historical of the life and untimely death of buddy holly? if it can be about something totally different, because it really has not technical details, is it really historical at all?
similar argument with elton john and "candel in the wind."
I do think you overrate intent.
no. i do not. if the primary intention of the work is to entertain an audience, then treating it as a factual history will give you entirely the wrong impression.
however, the primary intent of a work need not be to convey history for it to do so.
true, but genesis does NOT tell us anything about the people in the story, only the people who wrote it. it does convey history in that aspect. but it is incorrect to think of it as historically accurate.
I think if you read Brian’s posts again, you’ll see he’s conveying the argument that inaccuracies of the type found in Genesis can’t constitute proof that everything in Genesis must be said to be invalid.
and *I* am saying that it doesn't matter at all, because aspects of the writing indicate that recording historical events was not the goal of genesis AT ALL. rather, it was to record the history traditions of the people. reading it as some window on what really happened with abraham and isaac is silly.
invalid? heck, i don't know. but that's NOT THE POINT.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 124 of 168 (190304)
03-06-2005 3:50 AM
Reply to: Message 122 by Trae
03-06-2005 2:31 AM


Re: The Historical Symphony
Okay. I’ll bite. What is the difference between a writing ‘a history’ and writing ‘history’?
the first is an attempt at recording something (beit events or traditions) and is obviously subject to error. the second implies events that actually happened.
when people ask if genesis is history, that's what they mean. i'm trying to rectify the problem we've been having of colloquial uses here.
Dates simply weren’t stressed that much when I took high school history.
take a college class. high school classes simply don't cover the neccessary material in ANY area. dates (or at least a way to keep track of time) is an integral part of the study of history.
there are books similar to genesis that keep track of date, btw. jubilees is a good example. but the date-keeping is very obviously artificial. it's an attempt by later hebrew authors to make the events of genesis into a history.
Not all lessons or benefits of history are dependant on dates.
every lesson in history is dependent on dates, location, and culture/people involved.
Indication, perhaps, but not an absolute, which I believe was one of Brian’s points. Further, we’re back to the idea that something has to be a primary goal of something to contain that. That just simply isn’t supportable.
separate yourself from this idea that it's THE BIBLE for a second here. we have a collection of stories that involve things like talking snakes, god confusing people because they built a sky scraper, a big boat with two of EVERYTHING, and someone dying because they pulled out. is this a history? just read it and ask yourself objectively.
are you sitting on the couch watching "troy" and thinking it's a history? do you read beowulf, and think it's a history? you wanna talk unsupportable, try supporting the logic that says these things are.
What about accidental accuracy or accuracy in spite of other motives?
what about it?
it's not written to be accurate. it's not written to record events. it's written to record traditions. maybe these people really existed. maybe they didn't. who knows?
My exception of your stance is that I don’t agree that any number of errors or anachronisms permits someone to throw out the entirety of a piece. Each individual aspect of a history needs to stand and fall on its own merits.
no, that's not what i'm doing at all. i'm not looking at going "was there a tower of babel? yes, ok, moving on. was there a flood? no? ok, that rules the whole book out."
i'm looking it and saying "this section contradicts this section. these were written by two different people. whoever put them together didn't care about which was right, because being right didn't matter."
see the difference?
I would however, fully support your stance as being valid if the presumption is of Genesis being a literal account.
genesis *IS* literal. it's just historically unsound. i believe the goal of this thread is to challenge the notion that genesis is anything BUT literal.
How exactly would you show that le Morte d’Arthur had ‘absolutely no basis’ in the real history. What exactly were all the sources Malory used? As of the last time I looked, there was a strong argument that the Arthurian Mythos has some historical roots, though derivative of multiple historic and legendary myths.
if arthur was a real person, which he probably was, he lived about 400 ad. this is well before castles and suits of armor. the depiction of arthur in the movie "king arthur" is actually pretty close to everyone's best guess.
sure, malory used some old stories. and sure they had some historical roots. but look at the words you used: legend. myth. not an accurate portrayal by any means. maybe some of the themes are even there, but in and of itself, le morte d'arthur is a work of LITERATURE and not SCHOLARSHIP. and this is the difference i'm trying to present with genesis.
(btw: i am fully willing to admit the p sections of genesis should probably be considered a history, although the whole book is not)
Without knowing all the sources which comprised Genesis we can only go so far in testing its validity.
but we do know the sources that comprised genesis. know how? because whoever compiled genesis simply copied the sources. that's why there are contradictions. they mere obviously more concerned with the integrity of the source than the accuracy to real life.

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Replies to this message:
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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 134 of 168 (190438)
03-07-2005 8:08 AM
Reply to: Message 133 by Trae
03-07-2005 5:46 AM


Re: The Historical Symphony
Understood. Still, eventually you begin to trip over assumptions made. For instance in assigning the sections to individuals rather than groups.
j being a single person and j being a group of people makes no difference in my mind. personally, i think j probably was plural. i'm pretty certain p was. (if anything sounds like it was written by committee, it's p)
you can’t simply assign the motives of redactor(R) to the previous source(J).
no. you can't really. but what does that have to do with my point? maybe j really thought he was recording real events. but i suspect not. j and e in particular are told like folk tales, not history, even apart from the book as a whole.
What were the source materials and influences available to J?
dunno. look to the surrounding people to find out the context. ugarit in particular. you won't find actual sources, but you'll get an idea.
How can we be absolutely certain of J’s source materials contained no historical information?
does j itself contain any historical material? no. e might, and p does. does it matter if the source j was reading thought it was telling actual events, if j did not?
Was J altered prior to the redactor? Alternatively, how can we be certain that the redactor even had a primary source of J’s writing?
does it matter?
Why must it be the case that anyone can definitively state the purpose of J from recactor?
isolate j, and tell me honestly what you think it's doing. j's the one with all the cool stuff like talking snakes and whatnot.
The ‘simply copied the sources’ is problematic inasmuch failure to correct one type of material does not equate to no changes being made of any sort.
the vastness of inconsistency is a good indicator that no effective changes were made. you'd think the first thing they'd do is rectify the name of god problem. however, keep in mind that texts treated as holy to the jews may not be altered in any fashion, even by a single letter. the only modifications to biblical texts in the last 2200 years have been the additions of vowels, and emmendations/footnotes. no change to the text, even where they believe it is in error.
the most probably explanation for the inconsistencies in this light is that the source texts were regarded as holy, and thus not changed at all, or as minimaly as possible.
It very well may be the case that they did make changes where they felt they could determine which source was more accurate.
that's nice. stock question: "according to the book of genesis, whic hwas made first, animals or man?"
We don’t know all the sources that comprised Genesis, we mostly have what has wound up in Genesis. We have, if you will, the leftovers.
yes, but take this in light of the holiness point, and point that inconsistencies were not fixed. and think about it for a second. they had to have been copied wholesale into the book. a good model for genesis is actually the modern bible. follow my reasoning for a second.
christians today treat the bible as a single book. but even cursory examination shows that it's more than one book. what do we know about the bible's sources? well, they're pretty much in there, aren't they? the source for psalms is a book called psalms, proverbs came from proverbs, etc. these sources came to thought of as holy, and were included, copied into the book, verbatim. inconsistencies between epistle and gospel and torah were not rectified because each book was holy individually.
this is nothing new. i'm just arguing that this process started long before 200bc. psalms for instance is actually a collection of five books of psalms. and they overlap a little too. and these five books of the psalms are obviously collections within themselves. five separate redactors gathered them together, and then a later 6th redactor collected the collections. and then a 7th included that collection into the entire bible. or some variation on that order.
genesis is a collection too, of at least three sources: j, e, and p. keep in mind that book headings and chapter headings and verse numbers are a new invention. they just rammed the entire text together in the old days. no spaces, no vowels, no breaks. just solid text. no little headings like "a psalm david" etc. those are all later additions.
now why is it such a foriegn idea that genesis is just a collection of relatively complete sources, like everything else in the bible?

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 Message 133 by Trae, posted 03-07-2005 5:46 AM Trae has replied

Replies to this message:
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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 135 of 168 (190439)
03-07-2005 8:09 AM
Reply to: Message 132 by Zhimbo
03-06-2005 11:25 PM


Re: Uh?
quite. i think that one deserves a nomination.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 149 of 168 (190713)
03-09-2005 3:29 AM
Reply to: Message 148 by Trae
03-08-2005 7:53 AM


Re: The Historical Symphony
The problem is when you use terms like just.
hardly a refutation of my scholarly analysis of genesis. it does not show the signs of being a history of events in judaic style of the time in it's finished form, or in more than once source.
set in the past ≠ history.
I think this sums up what we have been talking well enough.
The form or style of historiography do not affect its relation with the evidence, its epistemic status Tucker, Aviezer, Our Knowledge of the Past: A Philosophy of Historiography, Cambridge University Press, 2004, 291pp, $70.00 (hbk), ISBN 0521834155.
quote:
Conal Furay and Michael J. Salevouris define "historiography" as "the study of the way history has been and is written--the history of historical writing... When you study 'historiography' you do not study the events of the past directly, but the changing interpretations of those events in the works of individual historians." (The Methods and Skills of History: A Practical Guide, 1988, p. 223)
genesis may well be a historiography. but it is not a history.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 151 of 168 (193213)
03-22-2005 2:07 AM
Reply to: Message 150 by One_Charred_Wing
03-22-2005 1:37 AM


Re: A possible metaphor?
oh there's some really great themes in there that do have some universal truth.
but to be honest, reading the story very literally now, i'm not totally sure the tree of knowledge is a hereditary trait. i like to think it is, because then i can talk about how it applies thematically to origin of conciousness and what not... but there's another way of reading it.

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arachnophilia
Member (Idle past 1372 days)
Posts: 9069
From: god's waiting room
Joined: 05-21-2004


Message 153 of 168 (193293)
03-22-2005 9:19 AM
Reply to: Message 152 by jar
03-22-2005 9:10 AM


Re: A possible metaphor?
people do miss that too often. the tree CAN'T be original sin. it can't even be the FIRST sin.
because without eating from it, they had no concept of right and wrong. they only had fear of death.

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